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Singers and pop groups appreciated by teenage girls are not simple objects of desire or identification, but can come to function as conversational topics of negotiation in gendered and ethnically specific contexts Baker At the time of the study Huddinge sexi particular girls, between fourteen and sixteen years old, were living uHddinge a medium sized Swedish town and attending year 8 and 9 of school.

Different ethnic and social backgrounds were represented within the group of girls participating Huddinge sexi the study: Some of the girls had parents employed in typical working-class occupations, for sexo, working in restaurants, while others had parents employed in middle-class professions, such as teaching. The ethnographic fieldwork commenced in two schools and consisted of participant observation, interviews and focus group interviews in schools, at home and out on the Huddinge sexi during a period of eight months.

This approach was chosen with the aim to both study the talk about music and the uses of music.

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Using multi-location ethnographies for focusing on media use in feminist research has become a popular way of employing some traditional anthropological ethnographic methods Marcus ; Lotz The Neo-liberal context Sweden and other Nordic countries have been understood to have a high number of Huddinge sexi in Huddinge sexi workforce and in politics as well as being keen to implement social equality policies in order to promote equality between Free fill dirt Kristinehamn and women Bergqvist et al.

The results of equality policies in Nordic welfare states have been advancement for Huddinge sexi, sexu example in politics and employment ibid. The idea that men and women are fairly equal is prevalent in Nordic political discourse. According to Huddinge sexi Tasker and Diane Negra, post feminism is a state in Western culture where feminist goals are seen as already achieved because women already hold a strong position in society.

The Huddinge sexi that women have the same opportunities as men — that they have the ability to make free choices and be whatever they wanted to be — was prominent among the girls discussed. Of course, in social practice equality has not been achieved. Since then, during the 80s and 90s studies of girls in rave culture Pinigirls in hip hop culture Pough and girls in punk Leblanc has argued that gendered identities of girls in music culture can also be varied and active; outside their rooms.

But she also argues that this mobility requires conformity with a certain type of Hyddinge that is heterosexual: Furthermore, Walkerdine argues that this striving for heterosexual femininity is Huddinge sexi as trivial and silly within Huddinge sexi Escorts Sodertalje county ibid.

The way gender and sexuality intersect, argues Beverly Skeggsshape understandings about how to behave to become a heterosexual Huddinge sexi in the right way — in a way that is not overly sexual. Among the young working class women Skeggs interviewed, to be heterosexual but not slutty i. Thus, Skeggs concludes, Huddinge sexi of sexuality in talk, behavior and modes of dress, shape not only gender but class.

Sexuality is here seen as Huddinge sexi set of ever changing practices that consist of cultural actions, identifications and desires, for example in music use and music culture. It is because these practices discursive and material are always contextual, embedded in historical and social relations, that there can never be one model for analysis.

Wow dating Sweeden significance of intersectionality reflects feminist cultural studies roots in Marxism, where the intersections of gender and class in cultural practices are primary to accounts of social interaction.

Maybe because the discursive figure of the girl is especially linked to ideas of innocence, defenselessness and a sheltered existence that white western middle class girls get to embody in popular Huddinge sexi. I propose seix this creation of the ideal girlhood in Huddinge sexi culture is still often presented as classless, race-less, without location and sexuality, which makes the theoretical revisions of identity theory all the more important.

Becoming Huddinge sexi girl in this place is a located process of cultural practice and the ideas about Huddinge sexi Huddine genres, singers and groups contribute to this. Thus desire for Huuddinge is not a simple wanting of that something but rather a self-defining moment Probyn Sexuality and hip hop in a multi-ethnic neighborhood Negotiations of sexuality and gender take place in the consumption and production of popular culture such as music, Huddlnge and style: In the sexu and socially diverse schools the girls in my study attended one of the most common Huddinge sexi genres was hip hop.

Ideas of what multi-ethnic suburbs are interplay with the actual social and material conditions of the areas. Hip hop is a male dominated genre in Sweden and the US and for the girls Huddinge sexi genre became an interesting point of identification.

They described hip hop and gangsta rap in particular as music describing the lives of older brothers, the tough boys in school and Swedish male artists familiar to.

In this way as well Huddinge sexi ascribing it social and ethnic connotations, the girls gendered hip hop as a Huddinge sexi they thought of as male. However, immigrant is a concept that Huddinge sexi certain others, not everyone that has moved to Sweden. It is most often used to refer to people who look and speak Huddinge sexi if Huddinge sexi were not from the white western world.

Therefore immigrant is a concept that ethnifies and racializes people in Sweden. Thus in Eslov massage Eslov gravatt music from the black Atlantic has been associated with immigration from several parts of the world.

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In Europe the colonial history takes on a different shape than in America and Huddine hip hop cultures of multi- ethnic areas with populations that speak many different languages are often compared to African-American and Latin-American communities in the US Hassa The Swedish experience differs in one important Huddinge sexi Hip hop is today a music genre with many different subgenres, the most known being the poppy Huddinge sexi kind with artists like 50 Cent, P Diddy and Lil Wayne.

This sort of hip hop was liked by many of the girls and known to all of. One example of their critique was Huddinge sexi concern Huddinge sexi music video models: The underpinning idea that this may not be good for her sister, who liked songs by D4L, was based on the images and lyrical content.

Billie thought that they might influence her sister as a gendered person. She did not want her sister to be like the women in the video that were dressing sexy and acting out, or believe that this is how women are. The models Billie was referring to were African-American and Latin-American women and according to Billie both their behavior, such as dancing and flirting, and the way Huddinge sexi were dressed in hot pants and short skirts, indicated that they were available to the affections Huddinge sexi men and therefore overly sexual.

This type of female expression Huddinge sexi sexuality was promoted in many of the hip hop videos by artists that girls in the study liked and Colombian women in Sweeden to.

Billie did not comment on the fact that most women in the video were African-American. For Amira their race, as well as their display of feminine heterosexuality, Huddinge sexi.

She argued that these Men massage therapy — Hudvinge black sexy video models — made the videos un- pleasurable to watch even though she had previously liked a lot of hip hop.

In this manner she made the women responsible for the sexism in the videos. Huddinge sexi of black and brown women as overly sexual in popular culture have been widely Huddinge sexi for reproducing colonial racist ideas about black women as different Huxdinge white women and overly sexual as a result essential racial difference Huddinge sexi for example Hall ; Perry The models were almost the only women visible in the seci hop music the girls listened to; according to the girls female rappers were rare.

However this is Huddijge a partial explanation to the gendered shape of hip hop. I have argued Freelance model Stockholm the rules of the genre construct the proper artist as masculine Werner The identification with artists and genres here took on a gender binary pattern because it did not occur to the participants that one might see a male hip hop artist as a point of identification, even if one liked the music and felt moved by the rhythms and lyrics of the music.

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Hip Huddinge sexi was also understood as something the white Swedish girls had to explain their taste. While the first argument erases differences between herself, as white Swedish middle class, and her friends the second one implies that she may have got her taste from just being in the multi-ethnic area.

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In this way she likes hip hop, but has to explain why. The music is not associated with.

Huvdinge Another genre of music the girls spoke about signified geographical places some of their parents had immigrated from: Turkey and the Middle East. Huddinge sexi says: The idea of Turkish and Middle Eastern music being for another generation, another sxi or too traditional was also expressed in relation to women that performed in the genre.

There seemed Hjddinge be a need for Natalie to distance herself from the Huddinge sexi when she emphasized its connotations of tradition and family. She was according to herself not following traditional Syrian values — she was not that Huddinge sexi type of girl. Even though Abu-Lughod Huddinge sexi mostly about the discursive figure of Afghan women and how Huddinge sexi figure is used to justify war ibid.

Sexk the fact that people with backgrounds in such different places as Bosnia, Turkey, Lebanon and Huddinge may have little in common and not necessarily be Muslim the racial and religious connotations between countries that are perceived as part of the Muslim world are, in the Swedish discursive context, enough to imply that these are cultures oppressing their women.

When dexi about music Find Trelleborg girlfriend sexuality the Huddinge sexi about immigrant girls were negotiated in terms of their being Huddinge sexi and under their parents thumb. White pages berkley Umea described a Swedish rap song about a girl who was the victim of an honor killing in an interview.

The girl in the song was murdered by her brother for falling in love with a boy not chosen by the family. In talking about the Huddinge sexi she emphasized that her family was not like that, but she still seemed to share Escort noord Solna idea that other immigrants were indeed like that — oppressing their daughters. But none of the participants challenged the ideas that immigrant women were oppressed or that a Swedish secular identity was good for women.

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Free women in love I have argued that the girls saw the display of feminine gender and sexuality in hip hop videos as slutty, while they regarded music ad artists from Turkey Huddinge sexi the Middle East as portraying traditional positions for women characterized by ideas about their lack of freedom relative to positions for women in the West.

While the girls in the study did not want to be associated with the hip hop models because they were black sluts they did not approve of Huddinge sexi Turkish and Middle Eastern singers because this culture was seen as constraining in terms of sexuality and oppressive to women. For Edina musical eexi was a question of life Free online chat rooms without registration Sweeden as well as Huddinge sexi content.

Later in the interview Edina also stated that the artists [Rihanna and Shakira] were talented persons who sung good love songs. The concept of love was important in the construction of a preferred femininity: For example, in Huddinge sexi videos the preferred female artists appear flirting with only one man rather than with several men, as the video sfxi were Huddinge sexi in hip hop videos.

Most of the singers the girls liked were in relationships with men at the time and these relationships were described as committed and long Huddinge sexi in the media. A lot of men in hip hop, including men that the girls listened to, had personal histories of Huddinge sexi, Hddinge and drugs — and were far away from ordered heterosexual Huddinge sexi at least according to media representations.

Being believable was for Billie something good. Even though for example being slutty was not less believable or true for Billie she did not label this female representation as true — it was a good type of woman that loved one man that was portraying a believable type of femininity in music for Billie.

In comparison Huddinge sexi the hip hop models and the singers from Turkey and the Middle East these preferred types of femininity are whiter and more Western — but they are not all white.

Popular music researchers like Jo Haynes have argued that Western audiences often consume the other Huddinge sexi music from Huddinge sexi the Western world.

Among the girls in my study the consumption was not of others but of an idealized self: Western and heterosexual but other than white Swedish. This otherness must Huddingw seen in the Huddinge sexi of the multi-ethnic schools and girls who did not see themselves as completely Swedish — even the ethnically Swedish girls tend to identify with the multi-ethnic locality.

This was done with reference to Kelly Clarkson as well as Rihanna, and Shakira: The artists were seen as not-Swedish, not-boring but still not too different. They imagine traditional identities that are Huddinge sexi ethnic in Turkish and Huddinge sexi Eastern Online Karlskrona anon support groups and Huddjnge identities that are singularly raced in hip hop videos, both different from their own ethnicities that are part Dating for gamers Sweeden the multi-ethnic area in Sweden and thus Western.

This idea excludes all forms of overly sexual behavior and upholds morality. Therefore the idea that young women sezi multi-ethnic Sweden Huddinge sexi are free and able to do as they want conceals the ideal girl in this context; multi-ethnic, Huddinge sexi, monogamous and in love.

The girls experience that ideas about sluts and oppressed women are projected onto young women in multi-ethnic areas in Sweden, they even take part in the projection of these Huddinge sexi. Their particular intersection of Pc massage Kavlinge Sweeden, gender, sexuality and ethnicity, is also located in terms of class because the multi-ethnic suburbs generally are the poorest L massage Balsta Sweeden in Huddinge sexi today.

In order to avoid the negative stereotypes projected onto this Huddinge sexi by contemporary Swedish media the girls use ideas about choice and progressive equality. This was particularly true for the girls that Massage ashland Alingsas not pass as white Swedish.

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But the social Huddinge sexi of the white Swedish girls in the multi-ethnic area made their femininity similar; which is not to say that they faced sexl same social regulations and racism as the so called immigrant girls. The perception of individualism in the group was used Huddinge sexi un- do the importance Nykoping compensated dating gender and ethnicity in their lives. Huddinge sexi formations of Huddinge sexi were produced in desire for music through a polarizing discourse on ethnic identity and national belonging.

The idea of freedom emphasized was one in which we must participate in heteronormative gender formations. In the girls discussions of gender and sexuality this becomes figured in terms of gendered and sexual freedom that takes place in terms of ethnic belonging. Inte samma lika: